Stanislavski, the well known acting coach, would ask her students, “Are you in love with the art in yourself or yourself in the art.”
When I decided to devote my time to become a writer, with specific intent on being a screenwriter, I never really thought about what would come of being a successful screenwriter. Sure, I daydream of what it would be like to sell my first script and having well know directors and actors translate my words and my story to the big screen, but I never thought about it in terms of that being my “ultimate” goal. I just started thinking about what stories I wanted to write and then I would sit down in front of the computer and do it. The problem for me is that everything I have written and am writing right now, goes against everything that would help me break into the business. See, the types of stories I write are minimalist in nature. I’m more into the internal reason why people act as they do. There have been fantastic movies written about people struggling internally like the loss of a loved one (“The Accidental Tourist”, “Ordinary People”, “The Doctor”, “Terms of Endearment”) and people struggling internally with alcoholism and self doubt (“Naked”, “Tender Mercies”, “The Hustler“, “Leaving Las Vegas”, “The Days of Wine and Roses”). These types of stories fascinate me - stories about people struggling internally. Unfortunately for me, these are not the types of movies that are made today. I guess if I really wanted to increase my chances, I would change what I write. I could do as much research as I could about movies genres that are hot right now or have had a long run of commercial success like Horror movies and Romantic Comedies. Maybe I could write Saw VIII, the fifteenth movie about Jason, or a new sequel to the Halloween franchise. Maybe I could watch the last twenty years of the same romantic comedies that are, basically, of the same format and structure and then write as many as I could until I mastered it. This for me is down right boring and it would probably end in me giving up writing altogether. The answer to this is that I will continue to write screenplays with characters that I would like to see on screen.
I bet you’re thinking…
Why do these types of stories fascinate you? Why does loneliness, alcoholism, and dealing with personal, internal struggles interest him so much?
To add to this…
Some of my favorite writers are people that have lead that type of life like Dostoevsky, Poe, Hemingway, Checkov, F. Scott Fitgerald, and many others that committed suicide, had bouts with alcoholism, or who had failed relationships that contributed to alcoholism and/or suicide.
It is not because I relate to those authors or stories. In fact I am quite the opposite. I love life, I love to smile and I love to be in the company of friends and family. Nothing is better than spending time with people you love, laughing and having fun. The difference, I guess, is that we all have our internal things we are working out. We deal with these things on a daily basis - they don‘t go away. Often dealing with stuff like this leads to loneliness, alcoholism, depression and the separation of the inside world to the outside world. People have hard times dealing with the bad things life gives us. I ask myself, why aren’t more movies made about people who deal with these things? I am trying my best to stop this by writing as much as possible.
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